variations goldberg youtube

András Schiff’s first recording of the piece for Decca (1983) still sounds unique; Schiff has his own sound and way of playing Bach (and other composers). A right balance between playfulness and serenity. Picking five great recordings of the Goldberg Variations these days without mentioning Gould is a little like leaving Sgt. Although he is not ideally recorded, his handling of repeats will never cease to put a smile on your face (It may also allow you to ignore the mediocre recording quality and instrument). The Classic Review was launched in 2018 for classical music lovers around the globe. There is a very attractive rhythmic consistency, which perhaps somewhat paradoxically makes the quieter, slower variations (Such as Var. Vladimir Feltsman (Music Masters, 1991), N°4 There is also some emotional intensity when called for, such as in variation 21, and tender flexibility in the “black pearl” variation, No. There is too much octave doubling, registers changes and non-legato, Gould-like phrasing, though without the Canadian mastermind behind it. Though it won’t win every listener, to me it’s very persuasive. 16 as an example). Version A Variations Goldberg par Vladimir Feltsman, Variations Goldberg par Ekaterina Feltsman. 21 and 25) especially moving. The Goldberg Variations were still largely unfamiliar to the musical public when Józef Koffler completed his extraordinary arrangement – for flute, oboe, cor anglais, bassoon and strings – in 1938. Les Goldberg d’un fin narrateur, portées par une implacable dramaturgie. Are you referring to live performances (excerpts) from youtube, by chance? All of the Arrau hallmarks are omnipresent, including his sometimes rigid handling of fast-paced elements, or his tendency to get slow and heavy as a device to emphasize “depth of feeling”. All the repeats are observed, with changes mainly to do with dynamics and bringing off hidden voices to the forefront. It’s one of the greatest recordings Perahia made, or for that matter, one of the best Bach recordings on the piano. If you are willing to pay the price, that is. 9). After transforming the music over the course of an hour, using different time signatures, textures, and harmonies, the beautiful first aria returns, with a completely different feel from the first hearing. It’s a fine performance, but relatively hard to come by. Tatiana Nikolaiva’s first recorded the piece in the late 70’s for the Melodia label, one of few live and studio recordings by this great Russian artist. She keeps the tempo tight up except for some dramatic, strategically planned pauses like before the “black pearl” variation. 15 is the highlight of the performance). For me, Murray Perahia’s version will probably remain not only one of the best versions of the Goldberg ever recorded, but also one of Perahia’s best and a landmark piano recording. He doesn’t try to imitate the Harpsichord and his account is pianistic in the best sense. A new recording by Lang Lang, a star Chinese pianist, is a reminder of the complex beauty of Johann Sebastian Bach’s compositions The same applies to the added ornaments in repeats – hear how well suited and appropriate they sound on var. Murray Perahia (Sony, 2000), N°3 Raquel Camarinha à la rencontre de la musique et la poésie de Chopin et Schubert, « Songs of Comfort and Hope », le message de paix et de bienveillance du violoncelliste Yo-Yo Ma, Le Groupe des Six fête Noël au Boeuf sur le toit, "A Book of Depths" de Valerio Sannicandro (3/5), Motet BWV. Bach’s monumental Goldberg Variations is captured here on disc in what is virtually a “live” performance. This makes for a very consistent listening experience, but yet again brings some oddities of tempo choices. 13 or the sluggish Var. An obvious solution is to play some elements on the piano as Forte, and others Pianissimo, but that still doesn’t fully do justice to the intention of the composer. Gould’s digital 1981 version is also fascinating from start to finish, and like his 1955 mono recording, should be in any record collection. Still, you can’t deny the charm and excitement this 1955 recording project. But on the piano, a crucial element is missing – the double keyboard instructions. As with the Harpsichord of this guide to the best recordings of the Goldberg Variations, I decided to recommend 3 versions; two of which I feel present as big a scope of the piece, exploiting the full potential of it and illuminating all of this still difficult to crack masterpiece. Jeremy Denk on the Goldberg Variations' sense of play {The Guardian} NPR. The relatively slower tempi, which sounded so well and refreshing in the Richard Egarr version on the harpsichord, sounds heavy and mannered here. The Classic Review was launched in 2018 for classical music lovers around the globe. Read our Best Of guides for classical music. 15), or his overall rhythmic stiffness (Val. Schiff has a lifelong experience with the Goldberg Variations yet it’s marvelous how live and spontaneous it still sounds. This is another severe, serious version, but one which is much more flowing and natural than Tureck. Vous recherchez une œuvre entendue sur une Webradio ? This brings much more clarity to the contrapunct writing and to the playful ornaments in the repeats – This time even more daring than the Decca version. And it’s a fine version. Publié le mercredi 27 septembre 2017 à 18h14, En musique, le trombone dans tous ses états, Musicopolis : Les Voyages de Charles de Brosses, Petit Papa Noël, le tube français de Noël, Les albums pour bien fêter noël en musique. It’s a voice that penetrates deeply, while never being an extrovert. There are some oddities Schiff explored in these years, including changes in registers that sound a bit comical (Var. Her handling of repeats has more to do with bringing out hidden voices than adding more notes, and she is at her best on the slower, mellow variation (Var. With all of its oddities, it’s a great version. Hewitt clearly sees the “black pearl” variation as an emotional highlight of the piece, and here her intent is much better projected than the early recording. Some other live performances exist out there, and a Truck fan should choose his or her favorite after a thorough listening. Like Hewitt, he is never shy of using all the possibilities of the modern grand piano, but there is also a sense that it’s done only at the service of a musical idea (hear the “overture” variation No. He also hurries up with the end of every variation. (Jeremy Denk joins us all week to explore the Goldberg Variations. Playing Bach’s Goldberg Variations on the piano exhibits enormous challenges; It seems that the additional possibilities this instrument has over the Harpsichord can even be considered an obstacle, rather than an advantage. Bach: Goldberg Variations, BWV 988; ... Gould only recorded the work twice, in 1955 and 1981. It covers new album reviews by knowledgeable and independent writers, as well as in-depth guides and news. For the super-budget price it was once offered, it presented a remarkable value – An assured, well recorded and technically commanding performance, with some nice individual touches. Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. András Schiff’s second version for ECM is so engaging, so fulfilling that one can’t avoid recommending it in any collection as well. Explore our masterpiece guide to Bach’s ‘Goldberg Variations’ featuring Lang Lang’s studio and live recordings of the monumental work. Schiff’s way with Bach is not of sacred robustness; The virtuosity and dancing elements are thoroughly explored while preserving a true sense of the whole. And this is projected not only through the broad tempi she adopts. Variatio 5 a 1 ovvero 2 Clav. Before moving to the “sleeper” recommendation, there cannot be an overview of the Goldberg Variations without an honorable mentioning of Alexandre Tharaud’s more recent survey, already gushed over earlier in this guide. All rights reserved. Aria 2. Another pioneering Goldberg Variations recording was made in the same period by Eunice Norton, as well as some other attempts by this less-known American pianist. Bach loved virtuosity, and the Goldberg Variations is full of moments that could fairly be described as “flashy” – dazzling scale passages, risky hand-crossings. Levit has the sound world of Perahia when playing Bach – He will always opt for the singing line than the clarity of the contrapunct, so obsessively observed on some performances. What did you think about our recommendation for Harpsichord and Piano? This was mainly because of the insistence of the label to keep a budget price, hiring lesser-known artists from Eastern Europe and Asia and sacrificing artwork and high-cost promotional practices. In 2015 Hewitt rerecorded the piece for Hyperion. As we’ve seen in the second part, which recommends the best recording of Bach’s Goldberg Variations on the Harpsichord, in some variations Bach instructed the performer to use two manuals (i.e. Until then, this is a much enjoyable and impressive version. The availability of some of these recordings is somewhat problematic, so it was difficult to recommend the best version for Nokolaiva’s admirers. Tharaud’s keyboard control is a source of wonder, changing colors and projecting lights and shades like very few pianists. Anne-Marie Sylvestre, Producer Purchase: It’s clear from the performance how much joy Sims gets from playing the piece, and we are generally lucky to be shared with that joy. Truck obviously looks at the Goldberg Variations as a mammoth of a musical piece, in the scale of the St. Mathew Passion or the B Minor Mass. As most (if not all) of Gould’s recordings, there are intentional oddities, some of which plain nonsensical, including unnatural phrasing, inflation of staccatos and excessively fast or slow tempo choices. Barenboim approach treats each variation as an almost separate entity, including long pauses between the variations. There is really very little to fault with this performance; Levit has the disadvantage of coming into the light well after so many distinguished releases, that it’s hard for him to stand out from the crowd. Lars Vogt Ondine release (2015) is reserved, unassuming (in a good sense) and very pleasant. She recorded much more Bach in the past two decades, and in some of these releases, she is most definitely more impressive. She is also unapologetically pianistic, incorporating noticeable crescendos and diminuendos, not available on instruments in Bach’s time, though her usage of the sustaining pedal is spare. Almost 20 years gone by, with full Bach, Mozart and Schubert cycles under his belt, and Schiff re-recorded the piece for ECM, in an outstanding version taken live from Basel. Pourtant Ekaterina Dershavina échoue à caractériser la seconde partie, privée d’allégresse. N°1 From an interpretative standpoint you can argue against his decision to incorporate too much of pianissimo to an almost inaudible effect (Val. 7) and a true cantabile playing (Var. One can describe his way of playing musical phrases as “declaratory”, or, as Schiff likes to call it, “Parlando” – In a speaking manner. La référence moderne ? Some of the ornaments are missing in historical awareness, with trills played before the bit. The work itself consists of 30 variations, starting with a single 'Aria'. Again, this is one of the most impressive Goldberg Variations in the current catalog, and even if you are looking for a more “jubilance” experience, Tharaud is too talented to ignore. Intéressant tout de même. The only question is whether the listener will be taken by Schiff declaratory phrasing. This version of the Goldbergs seems to have everything – spirituality, technical command, a real sense of structure and harmonic tension, carefully observed voice leading and a dash of playfulness. Intéressant tout de même. Review: Monteverdi – il terzo libro de’ madrigali – Alessandrini, Review: Mozart – Grand Partita, Simpson – “Geysir” (2020), Review: “Dear Mademoiselle” – Astrig Siranossian, Cello, Year In Review – Our Top 10 Classical Albums for 2020, Review: Ammann, Ravel, Bartók – Piano Concertos – Haefliger, Helsinki Philharmonic Orchestra, Mälkki, Bach Goldberg Variations – The Best Recordings – Part I, Bach Goldberg Variations – The Best Recordings – Part 2 – Harpsichord Versions, sign up for our classical music newsletter, Eric Lu is the Winner of Leeds Piano Competition 2018, New Album Review: Zefiro Performs Bach Brandenburg Concertos, Review: “London, Circa 1720, Corelli’s Legacy” – La Rêveuse, Review: Martinů – Violin Concertos – Frank Peter Zimmermann, Bamberger Symphoniker, Jakub Hruša, Review: “Amici e Rivali” – Lawrence Brownlee and Michael Spyres perform Rossini, Double Review: Quatuor Arod and the Signum Quartett Play Schubert, Review: “Silver Age” – Daniil Trifonov Plays Stravinsky, Prokofiev, Scriabin, Read of the latest news in classical music, Looking for the best version of a classical music piece? A tribute to the body and the art of dance; a timeless work of dazzling beauty to be enjoyed again and again.Since its premiere in 2005, bODY_rEMIX/gOLDBERG_vARIATIONS has achieved exceptional renown. Daniel Barenboim’s live Goldberg Variations (1989, Teldec) is full of wisdom and some nice individual touches, very reminiscent of his early Beethoven Piano Sonatas cycle for EMI. Bach: "Open" Goldberg Variations, BWV 988 (Piano) by Kimiko Ishizaka, released 28 May 2012 1. On the same label, we have the immaculate Jenő Jandó, who recorded to the label practically all of the major piano repertoire. Variatio 3 a 1 Clav. 4 and elsewhere. Unfortunately, as always with Hewitt and other Hyperion artists, you will have to purchase the physical CD or a direct download, as the label does not agree to stream their catalog for financial reasons. Filming & Editing: Liora Livne. Schiff continued to record the complete keyboard repertoire for Decca over the next few years, but this Goldberg Variations still remains one of the highlights of the cycle. The dances and canons and folk-songs of Bach’s Goldberg Variations mostly express a cheerful companionability. Her later, digital recording on Deutsche Gramopphon (1999) sounds the best technically, but Tureck in her mid-eighties lacks the focus and technical command of her younger self. Rosalyn Turuck, another great Bach pioneer, recorded the Goldberg Variations many times over, on piano and Harpsichord, live and in the studio. Elsa Fottorino, Alain Lompech et Philippe Venturini élisent la version de référence des "Variations Goldberg" de Jean Sébastien Bach. A later 80’s recording on the VAI label probably finds her at her absolute best, relatively free and flowing, but she is let down by an amateurish recording made on a private concert. The highlights of this version include the minor, slow variations (try var. Pepper's Lonely Hearts Club … The pianist recorded the piece in a short period of time and then edited it in the studio for few months. The Goldberg Variations, BWV. Koroliov singing-along is not totally unique, but his performance does not compensate for the annoyance. Une certaine évidence s’impose dès les premières mesures, grâce au joli galbe de la phrase et un soleil illuminant la première variation. In 1802, Johann Nicolaus Forkel, who wrote the first biography of Bach, claimed the piece was named after a certain Johann Gottlieb Goldberg, a teenager attached to the Russian ambassador who took lessons from J.S. He also, for some reason, chooses to repeat only the first part of most of the variations, playing a single take on the second part.

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